Winner of the Best Tenor Award at the MARCELLO GIORDANI 2018 competition by the Luciano Pavarotti Foundation.

Now is engaged in the role of ISMAELE in VERDI’S Opera NABUCCO at Teatro Verdi in Trieste , He will debut on Jan. 18°.

In 2010 he won the 2nd prize at the 5th Piano Competition “W. A. Mozart “of Mazara del Vallo. He started his concert activity, very young : he performed as tenor soloist in concert at the Association “A. Schweitzer “and the ISSM” A. Toscanini “of Ribera at the Greek Theater of Segesta, at the Pirandello Theater of Agrigento, and for the Association The ‘Amici del Loggione del Teatro alla Scala’, , Milan. He was finalist at “Voci Verdiane” of Busseto and at “Voce d’Angelo” contest by Parma Lirica.

Last Debuts :
- Tenor Soloist ti The Luciano Pavarotti Tribute Concert- Teatro Pavarotti in Modena – Fondazione Luciano Pavarotti
- Tenore Soloist Concert Opera On ICe _ Foro Italico
-
-October 2018 he debuted the role of Rinuccio at the Teatro del Giglio in Lucca, stage director M° DENISE KRIEF.

-On August he debuted the role of Alfredo in La Traviata conductor Maestro Julius Kalmar.

-On July the role of Il Messaggero in the opera Aida at the Festival International de Carthage production of the July Music Festival Trapanese.

-Tenor soloist at the Teatro Massimo Bellini in Catania in the Haydn Symphonic-Choral Concert “The last seven words of Jesus on the Cross.

Next Engagements :
Rodolfo Puccini’s Opera “Boheme” Teatro Petruzzelli in Bari and Rinuccio Puccini Gianni Schicchi – Teatro Alighieri in Ravenna

Alfio Vacanti is a young Sicilian tenor, graduated in Modern Literature with honors 
at the University of Pisa and he’s going to graduate in opera singing at the P. Mascagni Music Institute in Livorno. He speaks Italian, English and French.

He has started his singing studies with Graziella Alessi in Catania and now he’s continuing his artistic career with Maria Billeri in Pisa and Livorno.

Since years 2011/12 he has been admitted to the class of opera singing at the P.Mascagni Music Institute in Livorno, followed by M° Graziano Polidori.
He attended masterclasses with teachers N.Conci, F.M.Bressan, F.Ciulla, J.Perry and he holds a diploma for choral directors held by teachers F.Ciulla and E.Spinoccia in 2008.
Actually he studies musical score with M° Marco Bargagna, lecturer at the L.Cherubini Music Institute in Florence and director of the choir “Ort”.

He has sang as a tenor soloist with the following singers: Maria Billeri, Lavinia Bini, Alessandro Luongo, Graziano Polidori, Paola Cigna, Alessandro Calamai, Gaia Matteucci, Carlo Morini and Maria Cioppi.
He has an intense concert activity as soloist.

At the age of sixteen he made his debut with the “Missa Brevis in Si minore” by W.A.Mozart.

He has competed several times in the sacred solo singing “Magnificat” by Charpentier, “Mottetto alla Vergine” di Vella , “Evening Hymn” by Purcell, “Magnificat” by Albinoni, “Beatus Vir” and “Dixit” by A. Vivaldi, “Oratorio della S.S. Vergine” by G. Carissimi , “Cantata BWV 61” by J.S. Bach, “Elevation a voix seule H. 268” and “Te Deum H. 146” by M.A. Charpentier .

He was soloist for the Pisan June, led by M° S. Barandoni, for two years in a row, singing “Vespri solenni” and”Litanie Lauretane” by W.A. Mozart in 2012 and “Carmina Burana” by C . Orff , at Teatro Verdi in Pisa, in 2013.

In the same year he opened the “Mascagni season” at the Teatro Goldoni in Livorno singing “La Città eterna” by P. Mascagni and debuting the “Messa da Requiem per tre voci virili” by L. Perosi as the first soloist at the Auditorium San Romano in Lucca, conducted by M° A. Freiles.

He has also sung unreleased music: “Vexilla regis” and the premiere of “Missa Brevis in RE” by Puccini Senior, edited and directed by M ° S.Pieruccini.

He has also performed in the role of Orpheus in “Orfeo ed Euridice” by C.W. Gluck, Bastiano in “Bastiano e Bastiana” by WA Mozart, Liscione in “La Dirindina” by D.Scarlatti.

In December 2013, under the direction of M ° S.Barandoni, he made his debut in “La Boheme” by G. Puccini in the role of Parpignol at the Teatro Verdi in Pisa.

In January 2014 he sang fot The New Year Concert by Teatro Goldoni in Livorno singing arias and duets from “Amico Fritz” by P. Mascagni, “La Traviata” and “Rigoletto” by Giuseppe Verdi.

In March 2014 he won the competition for the III International Competition “Clinical Cappellin” with a masterclass with Janet Perry and the debut of the role of Don Ottavio in “Don Giovanni” by W.A. Mozart.
In May 2014 he made his debut with the “Don Giovanni” by W.A. Mozart, directed by M.R.Cappellin and the director S. Panighini, at Pinerolo Theatre.

EDUCATION

He begins his music studies on piano and percussion instruments at the age of five at the italian Conservatoire “A. Casella” in L’Aquila, graduating in the latter with honors, continuing his specialization at the Royal Academy of Music in London under Prof. Simon Carrington, and then at the Akademie des Berliner Philarmonischen Orchester in Berlin under Prof. Rainer Seegers. At the age of 21 years old he won the International Music Competition of Riviera del Conero (Ancona), among around five hundred partecipants coming from all the world (Gert Meditz president of the jury). A few years later he is winner of the competition for timpanist holder in the Orchestra of the San Carlo in Naples, with whom he will work steadily for several years, alternating frequent collaborations with the Orchestra of the Accademia Nazionale di Santa Cecilia in Rome. In the same time he begins his composition studies and orchestra conducting taking some lessons at the high perfection course at the Music Academy of Pescara with M° Donato Renzetti and attending also master-classes with the M° Kenneth Kiesler (Professor of orchestra conducting at the University of Michigan in the United States) and Jorma Panula (Professor at the Sibelius Academy in Finland). In 2008 he was among the eight finalists selected around the world for the master-class competition in San Petersburg, of the San Petersburg Chamber Philharmonic (president Gennady Rozhdestvensky).

CAREER

He begins his conducting activity at the side of the M° Jeffrey Tate with whom he studied many of the classical, romantic and late-romantic symphonic and operas scores, mainly initalian and german. He collaborates with M° Tate also for some productions at the San Carlo Real Theatre in Naples, including “ Mozart’s “The Marriage of Figaro”, Bartok’s “The Barbablu Castle”, and Ravel’s “L’Enfant et les Sortilèges”. Then, he is assistant of the M° Donato Renzetti for operas like Tosca at the Verdi Theatre in Trieste (cast with Daniela Dessì, Marco Armiliato and Juan Pons) and Adriana Lecouvreur at the Massimo Theatre in Palermo.

In 2007, the success met on the occasion of a concert with the “New Europe Symphony Orchestra” at the Bulgaria Hall of Sofia will mark the beginning of many collaborations with East Europe Nationals Theatres: a three-year training that allows him to debut a huge opera repertoire, mainly Italian. During this period he conducted Le Nozze di Figaro, Cavalleria Rusticana, Pagliacci e Carmen, Elisir d’Amore, Il Trovatore, Un Ballo in Maschera, La Traviata, Rigoletto, Lucia of Lammermoor, Madame Butterfly and Pagliacci.

He made concerts in Italy, United Kingdom, Russia, Ukraine, Czech Republic, Romania, Bulgaria, South Korea, Mexico and Japan. He conducted the Royal Philharmonic Orchestra, the Seoul Philhramonic Orchestra, the George Enescu Philharmonic Orchestra, the Chamber Philharmonic and the State Symphonic Academy Orchestra di San Petersburg, the New Europe Symphony Orchestra, the Youth American Orchestra, the Turingie Philharmonic Orchestra, the Chamber Orchestra of Marche and Umbria, the Black Sea Philharmonic Orchestra, the State Slovack Orchestra, the Italian Symphony Orchestra Monteverdi and La Scala Soloists.

In 2010 he has inaugurated the season of the “Italian Simphonic Orchestra Monteverdi” with the IX Simphony of Beethoven at the Flavio Vespasiano Theatre in Rieti, with a very remarkable approvals both from the public and reviews.

In march 2011 the performance of the Fourth Tchaikovsky’s symphony with the Royal Philharmonic Orchestra at the Cadogan Hall of London was thorougly acclaimed from the british audience and a very considerable reviews from one of the best UK magazines (Seen and Heard International) has defined it a “masterly and shining performance”. Always in the same year (may) 2011 he was invited to conduct a Gala-Concert in commemoration of Maria Callas at the National Opera Theatre in Bucarest and in july he conducted Tosca at the Opera Festival at the Art Center Opera House of Seoul.

In 2012 again on the podium of the Royal Philharmonic Orchestra at the Cadogan Hall of London conducting the first Brahms symphony.

In 2013 he was guest of the Teatre of Como for the OperaDomani project 2013, conducting Wagner’s Fliegende Hollander through many italians theatres including Arcimboldi of Milan, Regio of Turin and Comunale of Bologna. In October of the same year, the performances of Rossini Stabat Mater at the Romanian Athenaeum in Bucharest with the George Enescu Philharmonic Orchestra and Chorus received considerable artistic and audience acclaim.

In May 2014 he lead the Theatre San Carlo Orchestra in Naples for a symphonic concert ranging from the Hungarian Brahms dances until Tchaikovsky Romeo and Juliet.

Engaged in projects of cultural innovation, he cooperated with researchers of UCLA (University California of Los Angeles) and he is founding member of MEDIARS, a sperimental centre which is involved in new technologies for culture and performance.

Togheter with the concerts activity, during the years 2001-2004 he has performed also teaching activity in two italian Conservatoires: “N. Paganini” of Genova and “G. Martucci” of Salerno.

He was reviewsed from many newspapers and specialized magazines: Seen and Heard International, Il Messaggero, Il Tempo, Sette Giorni, Il Corriere Adriatico, Newsunday, Italoeuropeo, Amadeus, Aise, Liricamente, La Notizia, etc.

http://www.alessandrofabrizi.com

Tra i suoi più recenti impegni :Timur nella “Turandot” che ha inaugurato la stagione al Teatro Verdi di Trieste,Tom in “Un ballo in maschera” al Teatro Petruzzelli di Bari, ANGELOTTI nell’Opera “TOSCA” al TEATRO PETRUZZELLI di Bari; RAIMONDO Bidebent nell’Opera “LUCIA DI LAMMERMOOR” AL TEATRO VERDI DI PISA E AL TEATRO DEL GIGLIO DI LUCCA, Sparafucile nell’OPERA
RIGOLETTO AL TEATRO COCCIA DI NOVARA ED AL TEATRO LIRICO DI SASSARI; il ruolo di RAMFIS nell’AIDA di Verdi al Festival International de Carthage e di El Jem con il Festival del Luglio Musicale Trapanese, dove nella stessa stagione ha cantato il ruolo del basso solista nel Requiem Verdi ; il ruolo di PIERO in “PIA DE TOLOMEI” al TEATRO VERDI PISA al Goldoni di Livorno e al Giglio di Lucca ; il RE nell’Aida prodotta dal TEATRO REGIO TORINO PRESSO ROYAL OPERA HOUSE MUSCAT diretta dal M° Noseda; LODOVICO in “OTELLO “ ; SARASTRO NE IL FLAUTO MAGICO ed il suo applaudito ABIMÉLECH AL TEATRO REGIO DI TORINO NELL’ OPERA
“SANSONE E DALILA”.
Nelle scorse stagioni ha inoltre interpretato il ruolo de il Commendatore nell’Opera Don Giovanni al Teatro Verdi di Trieste DIRETTORE G. GELMETTI; Oroveso nell’opera NORMA di Bellini al TEATRO VERDI DI TRIESTE (Direttore Carminati ) e Teatro Bellini di Catania, dove ha inoltre interpretato il ruolo del CONTE RODOLFO ne LA SONNAMBULA di Bellini (Direttore Sebastiano
Rolli ) ed il ruolo di TIMUR nell’opera Turandot di Puccini TEATRO MASSIMO BELLINI CATANIA diretta dal M° A.Pirolli.

Così la stampa :
Connessi all’Opera by Giuseppe Montemagno : “Di rilievo l’accorato Timur di Andrea Comelli, che nel
finale fa emergere una bella ricerca del legato”
La Sicilia by Sergio Sciacca TURANDOT : << commovente il padre vegliardo reso da Andrea Comelli con calore e connotazioni toccanti>>
by Paola Pini Corriere dello spettacolo <<.. Andrea Comelli è stato un ottimo Oroveso..>>
<< ....L’autorità del sacerdote Oroveso era sostenuta dal giovane basso Andrea Comelli con sicurezza ed emissione vocale più che corretta.>> by Federica Fanizza apemusicale.it

She is considered one of the most interesting Italian young and promising
mezzo-soprano of nowadays .
On 2015 she will be conducted by Maestro Riccardo Muti in Verdi’s Opera Falstaff role Mrs Quicky in Ravenna Festival and Oviedo.

She was born on 1984 , she started studying singing when she was very young with Maestro Gabriella Rossi Van Ellinkhuizen . She graduated in singing and she has a degree of level II at the Institute of Musical Studies of F.Vittadini Pavia. She attended masterclasses in vocal technique with Claudio Desideri , Bernadette Manca di Nyssa, Rockwell Blake and Luciana Serra. She performed many important concerts and opera in Italy and abroad in Auditorium, Halls and Theatres (as Theatre ” Comunale Cagli “, ” Persius Flaccus ” of Volterra, Michael Paker Brunico , Bressanone Forum , ” Cilea ” of Reggio Calabria, ” Fraschini ” Pavia , ” Carani ” Sassuolo , ” Alfieri ” in Asti , Diego Fabbri Forlì , Siri Fort of New Delhi Municipal Piacenza , Comunale of Ferrara etc) . In 2008 he made her debut in the role of Maddalena in Rigoletto at the Teatro Municipale of Cagli , and in the role of ” Mamma Lucia” and “Lola” in Cavalleria Rusticana , also Flora in La Traviata and the role of Meg in Falstaff and the Badessa in Sister Angelica . In 2009 she took part in opera festival ” Mario Filippeschi ” of Pisa in the role of Azucena ( in the form of concert) , she made her debut in the role of Preziosilla in Verdi’s Opera ” La forza del destino ” with the Laboratorio Lirico Europeo; After this she made her debut of the modern opera ” Leyla ” by Dante Morlino ( in concert form ) , and Maddalena in Rigoletto at the Teatro Alfieri of Asti with the Artistic direction of Maestro Claudio Desideri , she performed this role also in the opera season of the Teatro Diego Fabbri of Forlì . She collaborated with the soprano Denia Mazzola Gavazzeni performing above all the sacred repertoire unpublished , including: ” Paraphrase of the Christus ” by Donizetti and ” Lamentation III ” by Carlo Lenzi . She performed with famous artists : the baritone Leo Nucci, the Soprano Annarita Taliento , Ambrogio Maestri , Daniela Dessi , Maestro Leone Magiera and Francesca Patanè at Siri Fort in New Delhi ( India). In the same year started the Italian tournèe of Carmen in a concert form that it will conclude in July 2010 at the Festival of Filippeschi of Pisa. Among her latest performances: Mozart’s Requiem at St. Charles Church in Arona, in this occasione she has been engaged by Luciana Serra ; Cavalleria Rusticana ( Lola ) in New Delhi with Francesca Patanè, the debut in Rossini’s Opera Italiana in Algeri (role Zulma ) and Rossini’s Petite Messe Solennelle in Brescia Opera Theatre.
In 2012 she started to collaborate with the Ravenna Festival , where she performed the role of Giovanna in Rigoletto , Ines in Il Trovatore and Flora in La Traviata , stage director Cristina Muti Mazzavillani, in the Ravenna, Ferrara and Piacenza opera theaters, and in Manama city on the occasion of the opening of the National Theatre of Bahrain. In July 2013, participates as a mezzo-soprano soloist in the concert ” Night of enchantment echoes of Verdi” from the house of Roncole Verdi , Ravenna Festival production broadcasted on RAI 1. On November 2013 she debuted the role of Quickly in Falstaff on Ravenna Festival, stage director Cristina Muti Mazzavillani with repeat performances in the Lucca , Ferrara , Piacenza and Savona and in Reggio Emila Opera Theater. On 2014 she performed the Beethoven’s Nona Symphony with Sicilian Symphony Orchestra and Mozart’s Requiem at the Teatro Politeama in Palermo and for the Sacred Music Festival at the Monreale Cathedral.
Last May she made her debut at The Rome Opera House in the role of Marcellina in Mozart’s The Marriage of Figaro.

Next engagements

2015 July 10th to August 2th Ravenna & Oviedo DIRETTORE RICCARDO MUTI


OPERA REPERTORY:(Mozart) Le Nozze di Figaro -Cherubino- *
(Cherubini) Medea -Neris-
(Rossini) Il Barbiere di Siviglia -Berta-
L’Italiana in Algeri -Zulma-*
(Donizetti) Il campanello -Rosa-
(Bizet) Carmen -Carmen- *
(Verdi) Rigoletto -Maddalena- *
-Giovanna- *
Trovatore -Azucena- *
La Traviata -Flora- *
La Forza del destino -Preziosilla- *
Falstaff -Meg- *
-Quickly- *
(Massenet) Werther -Charlotte-
(Puccini) Madama Butterfly -Suzuki-

Suor Angelica -la Badessa- *
-zia Principessa-
Il Tabarro -la Frugola- *
Gianni Schicchi -Zita-
Manon Lescaut -un Musico-
(Cilea) Adriana Lecouvreur -Principessa di Bouillon-
(Mascagni) Cavalleria rusticana -Lola- *
-Mamma Lucia- *
(Giordano) Andrea Chenier -Madelon-
(Morlino) Leyla -Leyla- *
(Ponchielli) La Gioconda -La Cieca-

SACRED REPERTORY:
(Pergolesi) -Stabat Mater
(Donizetti) -Parafrasi del Cristus *
(Carlo Lenzi) -Lamentazione III *
(Mozart) -Requiem *
(Morlino) -Requiem *
(Bach) -Magnificat
(Rossini) -Petite Messe Solennelle *

CHEMBER MUSIC REPERTORY :
(De Falla) -(Siete canciones Populares Espanolas)

LIEDER repertoire :
Ciclo Beethoven*
Ciclo Schubert *

* performed on stage

Born in Alghero (Sassari), after his degree in “Politics and Economy” at the University of Sassari,

he got the degree with mention in singing at “Conservatorio di Musica” of Verona and the First

Class Honours in “Musical Discipline” at “Conservatorio di Musica” of Rovigo.

He began his career in 1999 under the guide of Angelo Capobianco, with whom he’s still

specializing. After that he won many competitions dedicated to opera singers, among them we find

the “Basiola” of Cremona, the “Tagliavini” of Deutschlandsberg (Austria), the “Belli” of Spoleto,

the “Placido Domingo Operalia” of Hamburg and “Rosetum” of Milan. He sang a very large

repertoire included the principal rules from Mozart, Rossini, Verdi, Puccini, Donizetti, Massenet,

Bizet, Bellini, Gounoud. He sang under the direction of many important conductors such as Yuri

Ahronovich, Claudio Abbado, Riccardo Chailly, Michel Plasson, Anton Guadagno, Maurizio Arena,

Pinchas Steimberg, Donato Renzetti, and directors as Franco Zeffirelli, Maurizio Scaparro, Hugo de

Ana, Christopher Loy, Mario Martone, Giuseppe Patroni Griffi, Luca Ronconi, Nicolas Joel, J.

Grinda, G. Del Monaco.

In 2002, under the guide of Riccardo Chailly, Domenico Balzani recorded for “Decca” the role of

Ping in the world premiere of “Turandot” with the ending by Luciano Berio. With “Bongiovanni”

he even recorded for the first time ever Leoncavallo’s Zazà and he published with “Phaedra” a CD

of chamber arias played with accordeon and piano. In 2010 he recorded for the Warner Bros Studios

and Theatre V.E. Messina a video animation on “Heure Espagnole” by Ravel playing the role of

Ramiro. In 2011 he published with Audax Editor “Lucia di Lammermoor, appunti di studio e di

interpretazione”. He sang in many important theatres as Deutches Opera of Berlin ,Oper

Frankfurt ,Teatro Massimo in Palermo, Maggio Musicale Fiorentino, Teatro Verdi in Cagliari,

Teatro Regio in Torino, Festival Puccini in Torre del Lago, Teatro Verdi in Trieste, Opera

National in Istambul, Opera National in Lima, Concertgebown in Amsterdam, Teatro Bellini

in Catania, Opera di Montpellier, Opera in Toulouse, Opèra Nacional du Rhin in Strasburgo,

Opera di Basilea, Opera di Roma-Terme di Caracalla, Tokio New National Theatre, Avenches

Opera Festival, Israeli National Opera in Tel-Aviv, Teatro dell’Opera in Rome, Teatro San

Carlo in Napoli, Opera Nazionale in Budapest, Opera di Malta, Opera di Palm Beach (USA),

Opera National in Toronto, National Opera in Atene, Teatro Filarmonico Arena Verona,

Opera Royal of Wallonie in Liege, Teatro Carlo Felice in Genova.

In this season he sang the role of Rossini’s Barber in the role of Figaro at the Deutsches Oper Berlin

and Teatro Regio in Torino, Gianni Schicchi and Figaro in “Nozze di Figaro“, Pizzarro in “Fidelio”

of Beethoven at the Teatro Lirico in Cagliari, Malatesta in “Don Pasquale” at the Opera of

Budapest, Sharpless in “Butterfly” at the Regio in Torino, Don Alvaro in “Viaggio a Reims” at

Maggio Musicale Fiorentino, Marcello in “Boheme” at the Teatro Verdi in Trieste, Germont in

“Traviata” of G. Verdi at the Teatro Carlo Felice of Genova and Opera National of Kiev (Ukrain).

Domenico Balzani teaching “Entertainment law and legislation“ and how to singing at the

prestigious International Accademies and Univeristies as: “Wien Master Course” of Wien,

Jerusalem’s University of Music, “Accademia Opera” of Verona, “University Givat-Ram” of

Jerusalem, “Conservatorio di Musica” of Brescia, “Conservatorio di Musica” of Pavia.

Next engagements

from 11 to 18 february L’occasione fa il ladro” by Rossini Teatro Verdi Trieste

June Figaro in Barbiere di Siviglia by Rossini Teatro Carlo Felice di Genova

Domenico Balzani website: http://www.domenicobalzani.com/

His professional activity is divided between the experimental theater, opera and the staging of media events.

Quickly imposed itself as one of the greatest talents of his generation has already worked with some of the best Italian composers: Luis Bacalov (Estaba la madre, Y Borges cuenta que), Gualtiero Dazzi (Le luthier de Venice), Fabrizio De Rossi Re (Biancaneve ovvero il perfido candore), Luca Francesconi (Gesualdo considered as murderer), Adriano Guarnieri (Medea) and Fabio Vacchi (Il letto della storia).

He has also been honored with several awards, including the «Premio Franco Abbiati della Critica Musicale Italiana» (2006) and in 2009 in France, «Prix du Syndicat de la Critique» for the best set designer for Gertrude (Le cri) by Howard Barker at the Théâtre de l’Odéon à Paris, directed by Giorgio Barberio Corsetti.

With Gertrude (Le cri) he also received the nomination for best scenography for the Moliére-award.

In 2009 he opened the Rossini Opera Festival signing the costumes and the sets of Zelmira. In 2011 he made his debut at the prestigious Teatro alla Scala in Milan with Turandot.

He has created the sets and costumes for Maria di Rohan, La voce umana, la Cenerentola, Milton et la Julie di Spontini, Tosca, L’Orfeo, Falstaff, Candide, La Bohème, La pietra del paragone and La Rondine.

His works have a clear international scope that led him to collaborate with numerous theaters in Italy and Europe: in France at the Opéra de Rennes, Théâtre de Strasbourg, Opéra de Lille and Théâtre du Châtelet in Paris.

Taraborrelli directed his first production with Lalla Rûkh ovvero Guancia di tulipano di Gaspare by Gaspar Spontini and Azio Corghi.

His  projects includes  I due Foscari at the Capitole of Toulouse and a play by Dario Fo at the Comédie in Geneva. On  2013 he has created and signed the set and costumes for  a new production of Macbeth by Teatro alla Scala in Milan;

Also on 2013 he has created and signed the set and costumes for  a new production of  Bellini Opera “La Sonnambula”  at  Teatro

Petruzzelli in Bari, stage director Giorgio Barberio Corsetti.

On last  January  he is engaged  at the Théâtre du Châtelet, for the setting of  Rossini Opera  La Pietra del Paragone; He has just finished the production of Elisir d’amore  the  MonteCarlo Opera Theatre

Next engagements : On 2014 May He will sign the sets of “I due Foscari” at  Théâtre du Capitole de Toulouse, stage director Stefano Vizioli.

http://www.cristiantaraborrelli.net

She has participated in several competitions, winning the 2nd prize in the National Competition for Young Performers “Dolores Sendra” Pego, 1st prize and the voice of the future in the Competition “Ciudad de Logroño” special prize “Ana Maria Sanchez,” along with other prizes in “Callosa d’en Sarria”, 3rd prize at the International Singing Competition “Pedro Lavirgen” Priego de Córdoba, 1st prize in the “Mirna Lacambra” “La Escola d” Opera “of Sabadell, 2nd prize in the “Manuel Ausensi” of Barcelona, held at the “Gran Teatre del Liceu” and 3rd prize, prize zarzuela and Audience Award in the “Placido Domingo Operalia” (2006). “.
He has also been awarded the “Teatro Campoamor” as singer revelation of the season 2008/09.
Currently he has been awarded the “Opera Actual” 2012.

Opera debut with Le nozze di Figaro (Sabadell). He has played roles as Le nozze di Figaro (Comtessa) Mozart, Così fan tutte (Fiordiligi), Donizetti’s L’elisir d’amore (Adina), La Sonnambula by Bellini (Lisa), and Mozart Bastiana Batian (Bastiana) Mozart, Il re pastore (Aminta)Mozart, Il tutore burlato Martin y Soler (Violante), I Pagliacci (Nedda), The Magic Flute (Pamina), Falstaff (Alice Ford) Verdi, The Tales of Hoffmann (Antonia), Iphigénie en Tauride ( Diana), and Orpheo ed Euricide (Eurydice), Romeo et Juliette (Juliette) Gounod, Don Giovanni (Dna Elvira) among others.
He has performed oratorio and cantata Carmina Burana by Carl Off, Fauré Requiem, Mozart’s Requiem, Brahms Requiem, Britten’s War Requiem ….

She has performed in places such as the Palau de la Música in Valencia, the Gran Teatre del Liceu in Barcelona, Teatro de La Coruña, the Palau de la Música in Barcelona, Prince Felipe Auditorium in Oviedo, Priego de Cordoba, Teatro la Farandula in Sabadell, Teatro Real in Madrid, Auditorio Padre Soler in Leganes, Theatre Les Arts Reina Sofia in Valencia, Zagreb Theatre, Teatro Carlo Felice in Genoa, among others.

It was directed by masters like Christopher Soler, Daniel Martinez, Miguel Ortega, Miguel Martinez, Guerassim Voronkof, Lorin Maazel, Placido Domingo, A. Ros-Marba, García Asensio, Michael Boder and Fabio Luisi, Josep Pons, Ottavio Dantone ..
Note are productions with stage directors as Franco Zeffirelli, Carlus Padrissa, Emilio Sagi and Jean Louis Grinda.

In season 2011/12, made her debut at the National Auditorium in Madrid with the ONE, debuted at the Berlin Stattsoper in “The Magic Flute” by Mozart (Pamina),
repeated in the Gran Teatre del Liceu production “Le nozze di Figaro” Mozart (Comtessa), and debuted on the character of Juliet in “Romeo and Juliet” in “Carlo Felice” Genoa which repeat during the same season ” Catalunya Opera “also sings for the first time the opera” Don Giovanni “by Mozart (Dna Elvira) in the” Teatro Principal of Maho “in Menorca.

Her discography includes the DVD “Katiuska”, under the direction of E. Sagi, “Orfeo ed Euridice” production Fura Festival “Festival Castell de Peralada” and, most recently, a recording for Decca of “Romeo and Juliet” with Andrea Bocelli in a production of the Teatro Carlo Felice in Genoa, under the musical direction of Fabio Luisi.

Also noteworthy is its participation in the “Placido Domingo Gala Anniversary” broadcast on TVE in 2011.
In the season 2012/2013 he made his debut as Violetta in Verdi’s La Traviata in “Catalunya Opera” and the Theatre “Carlo Felice” in Genoa, under the musical direction of Fabio Luisi and the stage director of Jean-Louis Grinda.
During the same year he debuted singing Wagner in the Campoamor theater playing the goddess Freia in Das Rheingold opera.

In the season 2013/2014 highlight their debuts in Bilbao Spain in the role of Micaela in Bizet opera Carmen, sings two different productions of Puccini’s opera La Boheme (Mimi) in Barcelona and Genoa and its debut in opera Home theater in Palma de Mallorca with Otello Verdi opera in the role of Desdemona.

In August 2014 Alice plays the role of Verdi’s opera Falstaff in the “Saito Kinen Festival”.

In 2014/season she performed for the first time in the theater “La Maestranza” in Seville the role of Donna Elvira in Don Giovanni.

Next engagements:
2015 May Fiordiligi in “Cosi fan tutte” at the Gran Teatre del Liceu in Barcelona
2015 June Lauretta in Gianni Schicchi at the Teatro Real in Madrid under the stage direction of Woody Allen.

Saverio Pugliese was born in Cosenza,
where he graduated from the Conservatory of Music “S.Giacoantonio”, now he is studying with Maestro Fernando Cordeiro Opa. She attended Master classes with Luciana Serra; Gloria Banditelli; Tiziana Fabbricini; Alfonso Antoniozzi.
She played the role of Tony in West Side Story by L. Bernstein, at the Theater “Odeon” Paola (CS); Basilio in The Marriage of Figaro by Mozart; BASTIANO IN Bastien und Bastian by Mozart at the Mozart Festival of Locri 2006;He was the tenor soloist in’ Oster-Oratorium BWV 249 by JS Bach conducted by Maestro Alessandro Ciccolini, April 2008. He performed Orpheus in the piano reduction of Gluck’s Orphée, directed by Maria Luisa Bigai. He sang in “Puccini, from the lounge to the scenes” Recital of arias at the Theatre “A. Make “of Cosenza, directed by Maria Luisa Bigai. It was The Contadino (tenor) in Leoncavallo’s Pagliacci at the Centenary (1909-2009) of the Theatre “A.Rendano” of the city of Cosenza.
He Made the debut of the role of the Wolf / Ausilia in world premiere of Raffaele Sargenti’s Lupus in Fabula, March 2, 2010, at the Teatro Sociale di Como, conducted by Maestro C. Chamorro, Director C. Leboutte. He played the role of Gastone in La Traviata by Giuseppe Verdi, directed by Maestro Peter Mianiti, directed by Andrea Swan, in theaters of Pavia, Cremona, Brescia and Como; Spoletta in Puccini’s Tosca , directed by Federica Santambrogio, conductor Maestro Bruno Nicoli, for As.Li.Co. Production . He debuted Ismaele in Verdi’s Opera Nabucco in 2011, directed by Silvia Collazuol, directed by Maestro Francesco Pasqualetti, at the Teatro Sociale di Como, the Teatro Comunale di Bologna, the Teatro Regio in Turin, Teatro Olimpico Rome ; Matteo Borsa in Verdi’s Rigoletto, directed by Massimo Gasparon, conductor Maestro Marco Guidarini for the Opera Season 2011 of the Circuito Lirico Lombardo (Theatres Como, Brescia, Cremona, Pavia and Arcimboldi of Milan) and under the musical direction of Maestro Giampaolo Bisanti in the Theatres: Pergolesi of Jesi and the Aquila theatre of Fermo. He played the role Matteo Borsa in Verdi’s Rigoletto , for the 2011/2012 opera season of the Teatro “A. Rendano “of Cosenza, he debuted the Ninth Symphony in D minor, Op. 125 (Tenor Solo) by Ludwig Van Beethoven, at the closing concert of the opera season of the Teatro “A.Rendano” of Cosenza, conducted by Maestro Giovanni Pelliccia; He debuted the role of Monostatos in The Magic Flute and Prime Armigero of WA Mozart at the Teatro degli Arcimboldi for Operadomani 2012, conductor Maestro Salvatore Percacciulo director Stefano Pintor. He performed also the role of Don Riccardo in Verdi’s Ernani, directed by Andrea Swan and under the musical direction of Antonio Pirolli for the Opera Season 2012/2013 Theatre of Cremona, Como, Brescia and Pavia.
He performed with great success the role of Amedeo in Nino Rota’s Naples Millionaire, at the theaters of Lucca, Pisa and Livorno, directed by Fabio Sparvoli and conducted by Matteo Beltrami; Roderigo in Verdi’ s Otello, director Stefano de Luca and conductor Giampaolo Bisanti at the Theatres Circuit Lombardo (Como, Cremona, Pavia, Brescia) and The Arcimboldi. He has been Spletta again in Puccini’s Tosca at the Teatro Coccia Foundation of Novara for the Opera Season 2013/2014, directed by Fabio Ceresa and conductor was Valerio Galli and last November in Jesi and Fermo directed by Massimo and Gasparon under musical direction of Pirolli.
He played the role of Gerardo in Gianni Schicchi by Puccini for OrizzontiArte2014 Festival, directed by Roberto Catalani and direction of Sergio Alapont.
In October 2014 he made his debut with a very great critical success the role of Goro in Madame Butterfly by Puccini at the Teatro Grande in Brescia, director Giulio Ciabatti and conductor Giampaolo Bisanti.
Last November he made debut in Mozart’s Requiem with Sicilian Symphonic Orchestra of Palermo at the Monreale Sacred Music Festival .
On 2015 he had a great debut of the role of PANG IN PUCCINI’ TURANDOT AT the NOVARA OPERA THEATRE conductor MATTEO BELTRAMI .
In his repertoire also chamber music, from lideristica tradition.
You also graduated in Modern Literature to address the Literary Critic and author of historical-critical note, “The fortress of disenchantment” for Opera Brundibar H. Krasa, Theatre “A.Rendano” Pubblinovi; Cosenza, in February 2004.

Upcoming engagements:
Ente Luglio Musicale Trapanese: Trapani -Sicily
Opera Turandot ROLE PANG
OPERA CENDRILLON of P. Viardot – ROLE: Le Comte Barigoule

press:

The OPERA in 2014 by Andrea Merli: << The tenor Saverio Pugliese, has created a Goro besides perfectly executed and timely in his speeches, of great visual impact with a figure far removed from the usual and overused caricature, revealing a prominent personality.> >

La STAMPA daily 2015 By Mattioli: << .. Bravissimo Saverio Pugliese in the role of Pang .. >>